It was easy to see Debbie’s supportive hand in the entire production, her attention to detail, and how each character clearly knew their role and how it melded to make the whole.

The show is very well cast and is another directed by the lovely Debbie Keyt with her team Rhonda Vaughan (Musical Director) and Camilla Klesman (Choreographer). This is my third review for Beaumaris Theatre and I also see other shows there; they are all fabulous.

Live theatre is a precious art form. Beaumaris Theatre is a superb and delightfully intimate theatre and the values our founders, Bill and Angela Martin established 71 years ago are still honoured today. There isn’t just one thing that makes our unique theatre special, it’s a million intangible qualities and the mix of vibrant, ebullient, imaginative, clever and creative personalities that make Beaumaris Theatre all that it is and our collective desire to bring stories to the stage for thespians to enjoy: “Theatre for all”.

Delving into the music of Tim Finn is a dream pursuit for any aficionado of eighties tunes, so it has been a delight to embrace this new choreographical adventure - once again alongside my dear and talented friends Debbie Keyt and Rhonda Vaughan- to discover the score of Ladies in Black.

Rose Chambers is making her Beaumaris Theatre debut in Ladies in Black this March. We asked her to step into the spotlight so we can get to know her better.

What was your first role in the theatre? (on stage or off)? My first role in the theatre was a lost boy in my school’s production of Peter Pan!

Sally Fleming has played a critical role in bringing to life several Beaumaris Theatre productions, including A Year with Frog and Toad and Arsenic & Old Lace. We asked Sally to step under the spotlight to get to know her better.

Congratulations to the cast and production teams of The Bridges of Madison County and A Year with Frog and Toad on their well-earned Music Theatre Guild of Victoria nominations and commendations!

Andrew Wild is making his Beaumaris Theatre debut in Arsenic and Old Lace this November at Beaumaris Theatre. We asked Andrew to step under the spotlight to get to know him better.

Annalei was gorgeous inside and out and she radiated ebullience and a zest for life, she had a fabulous sense of fun and humour and she had the most stunning and dazzling smile.

Ella Creaton’s creative genius has been a vital element to many Beaumaris Theatre productions over the last couple of years. We asked Ella to step under the spotlight to get to know her better.