This is a faithful adaptation of Roald Dahl’s classic story in which Boy and his Grandmother defeat the Grand High Witch and her followers, who are holding a Conference in an English seaside hotel. During the struggle, Boy gets turned into a mouse.
This is a faithful adaptation of Roald Dahl’s classic story in which Boy and his Grandmother defeat the Grand High Witch and her followers, who are holding a Conference in an English seaside hotel. During the struggle, Boy gets turned into a mouse.
This is a faithful adaptation of Roald Dahl’s classic story in which Boy and his Grandmother defeat the Grand High Witch and her followers, who are holding a Conference in an English seaside hotel. During the struggle, Boy gets turned into a mouse.
This is a faithful adaptation of Roald Dahl’s classic story in which Boy and his Grandmother defeat the Grand High Witch and her followers, who are holding a Conference in an English seaside hotel. During the struggle, Boy gets turned into a mouse.
This is a faithful adaptation of Roald Dahl’s classic story in which Boy and his Grandmother defeat the Grand High Witch and her followers, who are holding a Conference in an English seaside hotel. During the struggle, Boy gets turned into a mouse.
This is a faithful adaptation of Roald Dahl’s classic story in which Boy and his Grandmother defeat the Grand High Witch and her followers, who are holding a Conference in an English seaside hotel. During the struggle, Boy gets turned into a mouse.
This is a faithful adaptation of Roald Dahl’s classic story in which Boy and his Grandmother defeat the Grand High Witch and her followers, who are holding a Conference in an English seaside hotel. During the struggle, Boy gets turned into a mouse.
This is a faithful adaptation of Roald Dahl’s classic story in which Boy and his Grandmother defeat the Grand High Witch and her followers, who are holding a Conference in an English seaside hotel. During the struggle, Boy gets turned into a mouse.
This is a faithful adaptation of Roald Dahl’s classic story in which Boy and his Grandmother defeat the Grand High Witch and her followers, who are holding a Conference in an English seaside hotel. During the struggle, Boy gets turned into a mouse.
In fair Elizabethan England, there dwells Edmund Blackadder, a wit as sharp as his pointed beard, though his fortune proves ever fickle. A knave both cunning and proud, he doth seek power and favour in Queen Elizabeth’s court, yet he’s thwarted by fools, from his dimwitted servant Baldrick to his boorish friend, Lord Percy.
In fair Elizabethan England, there dwells Edmund Blackadder, a wit as sharp as his pointed beard, though his fortune proves ever fickle. A knave both cunning and proud, he doth seek power and favour in Queen Elizabeth’s court, yet he’s thwarted by fools, from his dimwitted servant Baldrick to his boorish friend, Lord Percy.
In fair Elizabethan England, there dwells Edmund Blackadder, a wit as sharp as his pointed beard, though his fortune proves ever fickle. A knave both cunning and proud, he doth seek power and favour in Queen Elizabeth’s court, yet he’s thwarted by fools, from his dimwitted servant Baldrick to his boorish friend, Lord Percy.
In fair Elizabethan England, there dwells Edmund Blackadder, a wit as sharp as his pointed beard, though his fortune proves ever fickle. A knave both cunning and proud, he doth seek power and favour in Queen Elizabeth’s court, yet he’s thwarted by fools, from his dimwitted servant Baldrick to his boorish friend, Lord Percy.
In fair Elizabethan England, there dwells Edmund Blackadder, a wit as sharp as his pointed beard, though his fortune proves ever fickle. A knave both cunning and proud, he doth seek power and favour in Queen Elizabeth’s court, yet he’s thwarted by fools, from his dimwitted servant Baldrick to his boorish friend, Lord Percy.
In fair Elizabethan England, there dwells Edmund Blackadder, a wit as sharp as his pointed beard, though his fortune proves ever fickle. A knave both cunning and proud, he doth seek power and favour in Queen Elizabeth’s court, yet he’s thwarted by fools, from his dimwitted servant Baldrick to his boorish friend, Lord Percy.
In fair Elizabethan England, there dwells Edmund Blackadder, a wit as sharp as his pointed beard, though his fortune proves ever fickle. A knave both cunning and proud, he doth seek power and favour in Queen Elizabeth’s court, yet he’s thwarted by fools, from his dimwitted servant Baldrick to his boorish friend, Lord Percy.
In fair Elizabethan England, there dwells Edmund Blackadder, a wit as sharp as his pointed beard, though his fortune proves ever fickle. A knave both cunning and proud, he doth seek power and favour in Queen Elizabeth’s court, yet he’s thwarted by fools, from his dimwitted servant Baldrick to his boorish friend, Lord Percy.
In fair Elizabethan England, there dwells Edmund Blackadder, a wit as sharp as his pointed beard, though his fortune proves ever fickle. A knave both cunning and proud, he doth seek power and favour in Queen Elizabeth’s court, yet he’s thwarted by fools, from his dimwitted servant Baldrick to his boorish friend, Lord Percy.
Saturday 31st May, 2.30pm - 5.30pm and Sunday 1st June, 11.30am - 3.30pm
In this faithful adaptation of Roald Dahl’s classic story, the Witches are nothing like the ones who wear pointed hats and fly on broomsticks – they look very much like ordinary women, which helps their deception. They have a motto: “One child a week is fifty-two a year. Squish them and squiggle them and make them disappear!” But one boy and his Grandmother have a plan to defeat the Grand High Witch and her followers, who are holding a Conference in an English seaside hotel. During the struggle, Boy gets turned into a mouse.
Saturday 31st May, 2.30pm - 5.30pm and Sunday 1st June, 11.30am - 3.30pm
In this faithful adaptation of Roald Dahl’s classic story, the Witches are nothing like the ones who wear pointed hats and fly on broomsticks – they look very much like ordinary women, which helps their deception. They have a motto: “One child a week is fifty-two a year. Squish them and squiggle them and make them disappear!” But one boy and his Grandmother have a plan to defeat the Grand High Witch and her followers, who are holding a Conference in an English seaside hotel. During the struggle, Boy gets turned into a mouse.
Even wanted to have a nosey around Beaumaris Theatre and learn more about the different ways you can get involved?
Join us for some afternoon tea and chat at our Open Day on Sunday, 25 May from 2pm-4pm. This will be a great opportunity to meet and celebrate the many volunteers who run Beaumaris Theatre.
Every day comes down to moments. Moments of decision, or change. Moments that fall between ‘before’ and ‘after’. Moments where you’re balanced on the edge of who you are and who you might be. Do you reach for it or don’t you?
Every day comes down to moments. Moments of decision, or change. Moments that fall between ‘before’ and ‘after’. Moments where you’re balanced on the edge of who you are and who you might be. Do you reach for it or don’t you?
Every day comes down to moments. Moments of decision, or change. Moments that fall between ‘before’ and ‘after’. Moments where you’re balanced on the edge of who you are and who you might be. Do you reach for it or don’t you?
Every day comes down to moments. Moments of decision, or change. Moments that fall between ‘before’ and ‘after’. Moments where you’re balanced on the edge of who you are and who you might be. Do you reach for it or don’t you?
Every day comes down to moments. Moments of decision, or change. Moments that fall between ‘before’ and ‘after’. Moments where you’re balanced on the edge of who you are and who you might be. Do you reach for it or don’t you?
Every day comes down to moments. Moments of decision, or change. Moments that fall between ‘before’ and ‘after’. Moments where you’re balanced on the edge of who you are and who you might be. Do you reach for it or don’t you?
Every day comes down to moments. Moments of decision, or change. Moments that fall between ‘before’ and ‘after’. Moments where you’re balanced on the edge of who you are and who you might be. Do you reach for it or don’t you?
Every day comes down to moments. Moments of decision, or change. Moments that fall between ‘before’ and ‘after’. Moments where you’re balanced on the edge of who you are and who you might be. Do you reach for it or don’t you?
Every day comes down to moments. Moments of decision, or change. Moments that fall between ‘before’ and ‘after’. Moments where you’re balanced on the edge of who you are and who you might be. Do you reach for it or don’t you?
DIRECTOR DEBBIE KEYT | MUSICAL DIRECTOR RHONDA VAUGHAN | CHOREOGRAPHER CAMILLA KLESMAN
Ladies in Black is a coming-of-age story, set in Sydney in the 1950s the musical tells the story of a young, intelligent, bookish school leaver, Lisa who embarks on a summer job between completing her Leaving Certificate and following her dreams of a Literature Degree at Sydney University. Lisa joins the sales staff in the fashionable department store, F.G. Goode’s and it’s a summer that changes her life as she befriends the colourful denizens of the women’s clothing department. Each of the characters are on the precipice of change- facing independence, working for a living and what it means to be a woman.
DIRECTOR DEBBIE KEYT | MUSICAL DIRECTOR RHONDA VAUGHAN | CHOREOGRAPHER CAMILLA KLESMAN
Ladies in Black is a coming-of-age story, set in Sydney in the 1950s the musical tells the story of a young, intelligent, bookish school leaver, Lisa who embarks on a summer job between completing her Leaving Certificate and following her dreams of a Literature Degree at Sydney University. Lisa joins the sales staff in the fashionable department store, F.G. Goode’s and it’s a summer that changes her life as she befriends the colourful denizens of the women’s clothing department. Each of the characters are on the precipice of change- facing independence, working for a living and what it means to be a woman.
DIRECTOR DEBBIE KEYT | MUSICAL DIRECTOR RHONDA VAUGHAN | CHOREOGRAPHER CAMILLA KLESMAN
Ladies in Black is a coming-of-age story, set in Sydney in the 1950s the musical tells the story of a young, intelligent, bookish school leaver, Lisa who embarks on a summer job between completing her Leaving Certificate and following her dreams of a Literature Degree at Sydney University. Lisa joins the sales staff in the fashionable department store, F.G. Goode’s and it’s a summer that changes her life as she befriends the colourful denizens of the women’s clothing department. Each of the characters are on the precipice of change- facing independence, working for a living and what it means to be a woman.
DIRECTOR DEBBIE KEYT | MUSICAL DIRECTOR RHONDA VAUGHAN | CHOREOGRAPHER CAMILLA KLESMAN
Ladies in Black is a coming-of-age story, set in Sydney in the 1950s the musical tells the story of a young, intelligent, bookish school leaver, Lisa who embarks on a summer job between completing her Leaving Certificate and following her dreams of a Literature Degree at Sydney University. Lisa joins the sales staff in the fashionable department store, F.G. Goode’s and it’s a summer that changes her life as she befriends the colourful denizens of the women’s clothing department. Each of the characters are on the precipice of change- facing independence, working for a living and what it means to be a woman.
DIRECTOR DEBBIE KEYT | MUSICAL DIRECTOR RHONDA VAUGHAN | CHOREOGRAPHER CAMILLA KLESMAN
Ladies in Black is a coming-of-age story, set in Sydney in the 1950s the musical tells the story of a young, intelligent, bookish school leaver, Lisa who embarks on a summer job between completing her Leaving Certificate and following her dreams of a Literature Degree at Sydney University. Lisa joins the sales staff in the fashionable department store, F.G. Goode’s and it’s a summer that changes her life as she befriends the colourful denizens of the women’s clothing department. Each of the characters are on the precipice of change- facing independence, working for a living and what it means to be a woman.
DIRECTOR DEBBIE KEYT | MUSICAL DIRECTOR RHONDA VAUGHAN | CHOREOGRAPHER CAMILLA KLESMAN
Ladies in Black is a coming-of-age story, set in Sydney in the 1950s the musical tells the story of a young, intelligent, bookish school leaver, Lisa who embarks on a summer job between completing her Leaving Certificate and following her dreams of a Literature Degree at Sydney University. Lisa joins the sales staff in the fashionable department store, F.G. Goode’s and it’s a summer that changes her life as she befriends the colourful denizens of the women’s clothing department. Each of the characters are on the precipice of change- facing independence, working for a living and what it means to be a woman.
DIRECTOR DEBBIE KEYT | MUSICAL DIRECTOR RHONDA VAUGHAN | CHOREOGRAPHER CAMILLA KLESMAN
Ladies in Black is a coming-of-age story, set in Sydney in the 1950s the musical tells the story of a young, intelligent, bookish school leaver, Lisa who embarks on a summer job between completing her Leaving Certificate and following her dreams of a Literature Degree at Sydney University. Lisa joins the sales staff in the fashionable department store, F.G. Goode’s and it’s a summer that changes her life as she befriends the colourful denizens of the women’s clothing department. Each of the characters are on the precipice of change- facing independence, working for a living and what it means to be a woman.
DIRECTOR DEBBIE KEYT | MUSICAL DIRECTOR RHONDA VAUGHAN | CHOREOGRAPHER CAMILLA KLESMAN
Ladies in Black is a coming-of-age story, set in Sydney in the 1950s the musical tells the story of a young, intelligent, bookish school leaver, Lisa who embarks on a summer job between completing her Leaving Certificate and following her dreams of a Literature Degree at Sydney University. Lisa joins the sales staff in the fashionable department store, F.G. Goode’s and it’s a summer that changes her life as she befriends the colourful denizens of the women’s clothing department. Each of the characters are on the precipice of change- facing independence, working for a living and what it means to be a woman.
DIRECTOR DEBBIE KEYT | MUSICAL DIRECTOR RHONDA VAUGHAN | CHOREOGRAPHER CAMILLA KLESMAN
Ladies in Black is a coming-of-age story, set in Sydney in the 1950s the musical tells the story of a young, intelligent, bookish school leaver, Lisa who embarks on a summer job between completing her Leaving Certificate and following her dreams of a Literature Degree at Sydney University. Lisa joins the sales staff in the fashionable department store, F.G. Goode’s and it’s a summer that changes her life as she befriends the colourful denizens of the women’s clothing department. Each of the characters are on the precipice of change- facing independence, working for a living and what it means to be a woman.
Beaumaris Theatre Inc. presents
By Joseph Kesselring
Directed by Peter Newling
Arsenic and Old Lace is a timeless and classic comedy that was a hit both on Broadway and in the West End.
Drama critic Mortimer Brewster’s engagement announcement is upended when he discovers a corpse in his elderly aunts’ window seat. Mortimer rushes to tell Abby and Martha before they stumble upon the body themselves, only to learn that the two old women aren’t just aware of the dead man in their parlor, they killed him!
Between his aunts’ penchant for poisoning wine, a brother who thinks he’s Teddy Roosevelt, and another brother using plastic surgery to hide from the police—not to mention Mortimer’s own hesitancy about marriage—it’ll be a miracle if Mortimer makes it to his wedding.
Arsenic and Old Lace is a classic black comedy about the only thing more deadly than poison: family.
Arsenic and Old Lace will run from 8 - 23 November 2024.
Beaumaris Theatre Inc. presents
By Joseph Kesselring
Directed by Peter Newling
Arsenic and Old Lace is a timeless and classic comedy that was a hit both on Broadway and in the West End.
Drama critic Mortimer Brewster’s engagement announcement is upended when he discovers a corpse in his elderly aunts’ window seat. Mortimer rushes to tell Abby and Martha before they stumble upon the body themselves, only to learn that the two old women aren’t just aware of the dead man in their parlor, they killed him!
Between his aunts’ penchant for poisoning wine, a brother who thinks he’s Teddy Roosevelt, and another brother using plastic surgery to hide from the police—not to mention Mortimer’s own hesitancy about marriage—it’ll be a miracle if Mortimer makes it to his wedding.
Arsenic and Old Lace is a classic black comedy about the only thing more deadly than poison: family.
Arsenic and Old Lace will run from 8 - 23 November 2024.
Beaumaris Theatre Inc. presents
By Joseph Kesselring
Directed by Peter Newling
Arsenic and Old Lace is a timeless and classic comedy that was a hit both on Broadway and in the West End.
Drama critic Mortimer Brewster’s engagement announcement is upended when he discovers a corpse in his elderly aunts’ window seat. Mortimer rushes to tell Abby and Martha before they stumble upon the body themselves, only to learn that the two old women aren’t just aware of the dead man in their parlor, they killed him!
Between his aunts’ penchant for poisoning wine, a brother who thinks he’s Teddy Roosevelt, and another brother using plastic surgery to hide from the police—not to mention Mortimer’s own hesitancy about marriage—it’ll be a miracle if Mortimer makes it to his wedding.
Arsenic and Old Lace is a classic black comedy about the only thing more deadly than poison: family.
Arsenic and Old Lace will run from 8 - 23 November 2024.
Beaumaris Theatre Inc. presents
By Joseph Kesselring
Directed by Peter Newling
Arsenic and Old Lace is a timeless and classic comedy that was a hit both on Broadway and in the West End.
Drama critic Mortimer Brewster’s engagement announcement is upended when he discovers a corpse in his elderly aunts’ window seat. Mortimer rushes to tell Abby and Martha before they stumble upon the body themselves, only to learn that the two old women aren’t just aware of the dead man in their parlor, they killed him!
Between his aunts’ penchant for poisoning wine, a brother who thinks he’s Teddy Roosevelt, and another brother using plastic surgery to hide from the police—not to mention Mortimer’s own hesitancy about marriage—it’ll be a miracle if Mortimer makes it to his wedding.
Arsenic and Old Lace is a classic black comedy about the only thing more deadly than poison: family.
Arsenic and Old Lace will run from 8 - 23 November 2024.
Beaumaris Theatre Inc. presents
By Joseph Kesselring
Directed by Peter Newling
Arsenic and Old Lace is a timeless and classic comedy that was a hit both on Broadway and in the West End.
Drama critic Mortimer Brewster’s engagement announcement is upended when he discovers a corpse in his elderly aunts’ window seat. Mortimer rushes to tell Abby and Martha before they stumble upon the body themselves, only to learn that the two old women aren’t just aware of the dead man in their parlor, they killed him!
Between his aunts’ penchant for poisoning wine, a brother who thinks he’s Teddy Roosevelt, and another brother using plastic surgery to hide from the police—not to mention Mortimer’s own hesitancy about marriage—it’ll be a miracle if Mortimer makes it to his wedding.
Arsenic and Old Lace is a classic black comedy about the only thing more deadly than poison: family.
Arsenic and Old Lace will run from 8 - 23 November 2024.
Beaumaris Theatre Inc. presents
By Joseph Kesselring
Directed by Peter Newling
Arsenic and Old Lace is a timeless and classic comedy that was a hit both on Broadway and in the West End.
Drama critic Mortimer Brewster’s engagement announcement is upended when he discovers a corpse in his elderly aunts’ window seat. Mortimer rushes to tell Abby and Martha before they stumble upon the body themselves, only to learn that the two old women aren’t just aware of the dead man in their parlor, they killed him!
Between his aunts’ penchant for poisoning wine, a brother who thinks he’s Teddy Roosevelt, and another brother using plastic surgery to hide from the police—not to mention Mortimer’s own hesitancy about marriage—it’ll be a miracle if Mortimer makes it to his wedding.
Arsenic and Old Lace is a classic black comedy about the only thing more deadly than poison: family.
Arsenic and Old Lace will run from 8 - 23 November 2024.
Beaumaris Theatre Inc. presents
By Joseph Kesselring
Directed by Peter Newling
Arsenic and Old Lace is a timeless and classic comedy that was a hit both on Broadway and in the West End.
Drama critic Mortimer Brewster’s engagement announcement is upended when he discovers a corpse in his elderly aunts’ window seat. Mortimer rushes to tell Abby and Martha before they stumble upon the body themselves, only to learn that the two old women aren’t just aware of the dead man in their parlor, they killed him!
Between his aunts’ penchant for poisoning wine, a brother who thinks he’s Teddy Roosevelt, and another brother using plastic surgery to hide from the police—not to mention Mortimer’s own hesitancy about marriage—it’ll be a miracle if Mortimer makes it to his wedding.
Arsenic and Old Lace is a classic black comedy about the only thing more deadly than poison: family.
Arsenic and Old Lace will run from 8 - 23 November 2024.
DIRECTOR DEBBIE KEYT | MUSICAL DIRECTOR RHONDA VAUGHAN | CHOREOGRAPHER CAMILLA KLESMAN
Saturday 9th November 10 am to 5pm and
Sunday 10th November 10am- 12.30pm
Ladies in Black is a coming-of-age story, set in Sydney in the 1950s the musical tells the story of a young, intelligent, bookish school leaver, Lisa who embarks on a summer job between completing her Leaving Certificate and following her dreams of a Literature Degree at Sydney University. Lisa joins the sales staff in the fashionable department store, F.G. Goode’s and it’s a summer that changes her life as she befriends the colourful denizens of the women’s clothing department. Each of the characters are on the precipice of change- facing independence, working for a living and what it means to be a woman.
Beaumaris Theatre Inc. presents
By Joseph Kesselring
Directed by Peter Newling
Arsenic and Old Lace is a timeless and classic comedy that was a hit both on Broadway and in the West End.
Drama critic Mortimer Brewster’s engagement announcement is upended when he discovers a corpse in his elderly aunts’ window seat. Mortimer rushes to tell Abby and Martha before they stumble upon the body themselves, only to learn that the two old women aren’t just aware of the dead man in their parlor, they killed him!
Between his aunts’ penchant for poisoning wine, a brother who thinks he’s Teddy Roosevelt, and another brother using plastic surgery to hide from the police—not to mention Mortimer’s own hesitancy about marriage—it’ll be a miracle if Mortimer makes it to his wedding.
Arsenic and Old Lace is a classic black comedy about the only thing more deadly than poison: family.
Arsenic and Old Lace will run from 8 - 23 November 2024.
