In fair Elizabethan England, there dwells Edmund Blackadder, a wit as sharp as his pointed beard, though his fortune proves ever fickle. A knave both cunning and proud, he doth seek power and favour in Queen Elizabeth’s court, yet he’s thwarted by fools, from his dimwitted servant Baldrick to his boorish friend, Lord Percy.
In fair Elizabethan England, there dwells Edmund Blackadder, a wit as sharp as his pointed beard, though his fortune proves ever fickle. A knave both cunning and proud, he doth seek power and favour in Queen Elizabeth’s court, yet he’s thwarted by fools, from his dimwitted servant Baldrick to his boorish friend, Lord Percy.
In fair Elizabethan England, there dwells Edmund Blackadder, a wit as sharp as his pointed beard, though his fortune proves ever fickle. A knave both cunning and proud, he doth seek power and favour in Queen Elizabeth’s court, yet he’s thwarted by fools, from his dimwitted servant Baldrick to his boorish friend, Lord Percy.
In fair Elizabethan England, there dwells Edmund Blackadder, a wit as sharp as his pointed beard, though his fortune proves ever fickle. A knave both cunning and proud, he doth seek power and favour in Queen Elizabeth’s court, yet he’s thwarted by fools, from his dimwitted servant Baldrick to his boorish friend, Lord Percy.
In fair Elizabethan England, there dwells Edmund Blackadder, a wit as sharp as his pointed beard, though his fortune proves ever fickle. A knave both cunning and proud, he doth seek power and favour in Queen Elizabeth’s court, yet he’s thwarted by fools, from his dimwitted servant Baldrick to his boorish friend, Lord Percy.
In fair Elizabethan England, there dwells Edmund Blackadder, a wit as sharp as his pointed beard, though his fortune proves ever fickle. A knave both cunning and proud, he doth seek power and favour in Queen Elizabeth’s court, yet he’s thwarted by fools, from his dimwitted servant Baldrick to his boorish friend, Lord Percy.
In fair Elizabethan England, there dwells Edmund Blackadder, a wit as sharp as his pointed beard, though his fortune proves ever fickle. A knave both cunning and proud, he doth seek power and favour in Queen Elizabeth’s court, yet he’s thwarted by fools, from his dimwitted servant Baldrick to his boorish friend, Lord Percy.
In fair Elizabethan England, there dwells Edmund Blackadder, a wit as sharp as his pointed beard, though his fortune proves ever fickle. A knave both cunning and proud, he doth seek power and favour in Queen Elizabeth’s court, yet he’s thwarted by fools, from his dimwitted servant Baldrick to his boorish friend, Lord Percy.
In fair Elizabethan England, there dwells Edmund Blackadder, a wit as sharp as his pointed beard, though his fortune proves ever fickle. A knave both cunning and proud, he doth seek power and favour in Queen Elizabeth’s court, yet he’s thwarted by fools, from his dimwitted servant Baldrick to his boorish friend, Lord Percy.
This is a faithful adaptation of Roald Dahl’s classic story in which Boy and his Grandmother defeat the Grand High Witch and her followers, who are holding a Conference in an English seaside hotel. During the struggle, Boy gets turned into a mouse.
This is a faithful adaptation of Roald Dahl’s classic story in which Boy and his Grandmother defeat the Grand High Witch and her followers, who are holding a Conference in an English seaside hotel. During the struggle, Boy gets turned into a mouse.
This is a faithful adaptation of Roald Dahl’s classic story in which Boy and his Grandmother defeat the Grand High Witch and her followers, who are holding a Conference in an English seaside hotel. During the struggle, Boy gets turned into a mouse.
This is a faithful adaptation of Roald Dahl’s classic story in which Boy and his Grandmother defeat the Grand High Witch and her followers, who are holding a Conference in an English seaside hotel. During the struggle, Boy gets turned into a mouse.
This is a faithful adaptation of Roald Dahl’s classic story in which Boy and his Grandmother defeat the Grand High Witch and her followers, who are holding a Conference in an English seaside hotel. During the struggle, Boy gets turned into a mouse.
This is a faithful adaptation of Roald Dahl’s classic story in which Boy and his Grandmother defeat the Grand High Witch and her followers, who are holding a Conference in an English seaside hotel. During the struggle, Boy gets turned into a mouse.
This is a faithful adaptation of Roald Dahl’s classic story in which Boy and his Grandmother defeat the Grand High Witch and her followers, who are holding a Conference in an English seaside hotel. During the struggle, Boy gets turned into a mouse.
This is a faithful adaptation of Roald Dahl’s classic story in which Boy and his Grandmother defeat the Grand High Witch and her followers, who are holding a Conference in an English seaside hotel. During the struggle, Boy gets turned into a mouse.
This is a faithful adaptation of Roald Dahl’s classic story in which Boy and his Grandmother defeat the Grand High Witch and her followers, who are holding a Conference in an English seaside hotel. During the struggle, Boy gets turned into a mouse.
Trivia is returning to Beaumaris Theatre this July led by Quiz Master Harrison Ewart-Dart.
Gather your friends (team of up to 10 people), put your brains to the test and compete for some great prizes.
Saturday 31st May, 2.30pm - 5.30pm and Sunday 1st June, 11.30am - 3.30pm
In this faithful adaptation of Roald Dahl’s classic story, the Witches are nothing like the ones who wear pointed hats and fly on broomsticks – they look very much like ordinary women, which helps their deception. They have a motto: “One child a week is fifty-two a year. Squish them and squiggle them and make them disappear!” But one boy and his Grandmother have a plan to defeat the Grand High Witch and her followers, who are holding a Conference in an English seaside hotel. During the struggle, Boy gets turned into a mouse.
Saturday 31st May, 2.30pm - 5.30pm and Sunday 1st June, 11.30am - 3.30pm
In this faithful adaptation of Roald Dahl’s classic story, the Witches are nothing like the ones who wear pointed hats and fly on broomsticks – they look very much like ordinary women, which helps their deception. They have a motto: “One child a week is fifty-two a year. Squish them and squiggle them and make them disappear!” But one boy and his Grandmother have a plan to defeat the Grand High Witch and her followers, who are holding a Conference in an English seaside hotel. During the struggle, Boy gets turned into a mouse.
Even wanted to have a nosey around Beaumaris Theatre and learn more about the different ways you can get involved?
Join us for some afternoon tea and chat at our Open Day on Sunday, 25 May from 2pm-4pm. This will be a great opportunity to meet and celebrate the many volunteers who run Beaumaris Theatre.
Every day comes down to moments. Moments of decision, or change. Moments that fall between ‘before’ and ‘after’. Moments where you’re balanced on the edge of who you are and who you might be. Do you reach for it or don’t you?
Every day comes down to moments. Moments of decision, or change. Moments that fall between ‘before’ and ‘after’. Moments where you’re balanced on the edge of who you are and who you might be. Do you reach for it or don’t you?
Every day comes down to moments. Moments of decision, or change. Moments that fall between ‘before’ and ‘after’. Moments where you’re balanced on the edge of who you are and who you might be. Do you reach for it or don’t you?
Every day comes down to moments. Moments of decision, or change. Moments that fall between ‘before’ and ‘after’. Moments where you’re balanced on the edge of who you are and who you might be. Do you reach for it or don’t you?
Every day comes down to moments. Moments of decision, or change. Moments that fall between ‘before’ and ‘after’. Moments where you’re balanced on the edge of who you are and who you might be. Do you reach for it or don’t you?
Every day comes down to moments. Moments of decision, or change. Moments that fall between ‘before’ and ‘after’. Moments where you’re balanced on the edge of who you are and who you might be. Do you reach for it or don’t you?
Every day comes down to moments. Moments of decision, or change. Moments that fall between ‘before’ and ‘after’. Moments where you’re balanced on the edge of who you are and who you might be. Do you reach for it or don’t you?
Every day comes down to moments. Moments of decision, or change. Moments that fall between ‘before’ and ‘after’. Moments where you’re balanced on the edge of who you are and who you might be. Do you reach for it or don’t you?
Every day comes down to moments. Moments of decision, or change. Moments that fall between ‘before’ and ‘after’. Moments where you’re balanced on the edge of who you are and who you might be. Do you reach for it or don’t you?
DIRECTOR DEBBIE KEYT | MUSICAL DIRECTOR RHONDA VAUGHAN | CHOREOGRAPHER CAMILLA KLESMAN
Ladies in Black is a coming-of-age story, set in Sydney in the 1950s the musical tells the story of a young, intelligent, bookish school leaver, Lisa who embarks on a summer job between completing her Leaving Certificate and following her dreams of a Literature Degree at Sydney University. Lisa joins the sales staff in the fashionable department store, F.G. Goode’s and it’s a summer that changes her life as she befriends the colourful denizens of the women’s clothing department. Each of the characters are on the precipice of change- facing independence, working for a living and what it means to be a woman.
DIRECTOR DEBBIE KEYT | MUSICAL DIRECTOR RHONDA VAUGHAN | CHOREOGRAPHER CAMILLA KLESMAN
Ladies in Black is a coming-of-age story, set in Sydney in the 1950s the musical tells the story of a young, intelligent, bookish school leaver, Lisa who embarks on a summer job between completing her Leaving Certificate and following her dreams of a Literature Degree at Sydney University. Lisa joins the sales staff in the fashionable department store, F.G. Goode’s and it’s a summer that changes her life as she befriends the colourful denizens of the women’s clothing department. Each of the characters are on the precipice of change- facing independence, working for a living and what it means to be a woman.
DIRECTOR DEBBIE KEYT | MUSICAL DIRECTOR RHONDA VAUGHAN | CHOREOGRAPHER CAMILLA KLESMAN
Ladies in Black is a coming-of-age story, set in Sydney in the 1950s the musical tells the story of a young, intelligent, bookish school leaver, Lisa who embarks on a summer job between completing her Leaving Certificate and following her dreams of a Literature Degree at Sydney University. Lisa joins the sales staff in the fashionable department store, F.G. Goode’s and it’s a summer that changes her life as she befriends the colourful denizens of the women’s clothing department. Each of the characters are on the precipice of change- facing independence, working for a living and what it means to be a woman.
DIRECTOR DEBBIE KEYT | MUSICAL DIRECTOR RHONDA VAUGHAN | CHOREOGRAPHER CAMILLA KLESMAN
Ladies in Black is a coming-of-age story, set in Sydney in the 1950s the musical tells the story of a young, intelligent, bookish school leaver, Lisa who embarks on a summer job between completing her Leaving Certificate and following her dreams of a Literature Degree at Sydney University. Lisa joins the sales staff in the fashionable department store, F.G. Goode’s and it’s a summer that changes her life as she befriends the colourful denizens of the women’s clothing department. Each of the characters are on the precipice of change- facing independence, working for a living and what it means to be a woman.
DIRECTOR DEBBIE KEYT | MUSICAL DIRECTOR RHONDA VAUGHAN | CHOREOGRAPHER CAMILLA KLESMAN
Ladies in Black is a coming-of-age story, set in Sydney in the 1950s the musical tells the story of a young, intelligent, bookish school leaver, Lisa who embarks on a summer job between completing her Leaving Certificate and following her dreams of a Literature Degree at Sydney University. Lisa joins the sales staff in the fashionable department store, F.G. Goode’s and it’s a summer that changes her life as she befriends the colourful denizens of the women’s clothing department. Each of the characters are on the precipice of change- facing independence, working for a living and what it means to be a woman.
DIRECTOR DEBBIE KEYT | MUSICAL DIRECTOR RHONDA VAUGHAN | CHOREOGRAPHER CAMILLA KLESMAN
Ladies in Black is a coming-of-age story, set in Sydney in the 1950s the musical tells the story of a young, intelligent, bookish school leaver, Lisa who embarks on a summer job between completing her Leaving Certificate and following her dreams of a Literature Degree at Sydney University. Lisa joins the sales staff in the fashionable department store, F.G. Goode’s and it’s a summer that changes her life as she befriends the colourful denizens of the women’s clothing department. Each of the characters are on the precipice of change- facing independence, working for a living and what it means to be a woman.
DIRECTOR DEBBIE KEYT | MUSICAL DIRECTOR RHONDA VAUGHAN | CHOREOGRAPHER CAMILLA KLESMAN
Ladies in Black is a coming-of-age story, set in Sydney in the 1950s the musical tells the story of a young, intelligent, bookish school leaver, Lisa who embarks on a summer job between completing her Leaving Certificate and following her dreams of a Literature Degree at Sydney University. Lisa joins the sales staff in the fashionable department store, F.G. Goode’s and it’s a summer that changes her life as she befriends the colourful denizens of the women’s clothing department. Each of the characters are on the precipice of change- facing independence, working for a living and what it means to be a woman.
DIRECTOR DEBBIE KEYT | MUSICAL DIRECTOR RHONDA VAUGHAN | CHOREOGRAPHER CAMILLA KLESMAN
Ladies in Black is a coming-of-age story, set in Sydney in the 1950s the musical tells the story of a young, intelligent, bookish school leaver, Lisa who embarks on a summer job between completing her Leaving Certificate and following her dreams of a Literature Degree at Sydney University. Lisa joins the sales staff in the fashionable department store, F.G. Goode’s and it’s a summer that changes her life as she befriends the colourful denizens of the women’s clothing department. Each of the characters are on the precipice of change- facing independence, working for a living and what it means to be a woman.
