One of the highlights of my life is when Debbie Keyt tells me of her plans for an upcoming show and invites me to choreograph. This moment can only become more perfect when that show is Chicago.

This was a well-directed, well-rehearsed production presented with gusto and to which the audience responded with genuine appreciation.

I have loved the challenge of 'becoming Roxie' and trying to find that balance of a love/hate relationship with her. 

Beaumaris Theatre has put on the old “Razzle Dazzle” and staged their production of Chicago in a sassy and stylish fashion.

At last month's Annual General Meeting the 2018 Beaumaris Theatre Committee were elected and we're thrilled to be welcoming three new Committee Members who have been invaluable members of the Beaumaris Theatre community over the last few years.

It’s always great to see the reaction from the cast the first time they hear the band play and when we add costumes and lighting, it all adds so much more to the production and we know that opening night is then not far away.

The 'razzle dazzle' doesn't just happen, it is months and months of meticulous and precise planning and diligent dedication from our large team of actors, creatives and technical crew which is truly a labour of love and we adore every moment - 'and all that jazz'!

The Talbot Awards are always a reminder of how blessed we are to have such marvellous directors, actors, clever and creative teams, designers, technical gurus, crews and passionate and willing helpers who make up our special theatrical family and contributed to our splendid 2017 season.

The clear standout performer in this production was Charlotte Robbins. Her singing was exceptional and her accent and acting seamless as she portrayed the role of Latino, Diana Morales. Her rendition of ‘Nothing’ was moving and ‘What I Did For Love’ nearly bought a tear to my eye.

The cast are a charismatic bunch of performers and dancers. Stand out performers are Charlotte Robins as Diana, leading the cast during “What I Did For Love” and her wonderful, emotional solo number “Nothing “; Katie White as Cassie, who’s breakout number “Music and the Mirror” is an accomplished and fantastic dance piece; Alicia Loftus’ emotional and guarded performance of “At the Ballet”. Aynsley Mitchell and Joe Melhem shine as Kristine and Al in their adorable couple number, “Sing”, and Liam McWhinney as Paul, opening up about his early drag career, coming out and his troubled childhood, could bring a tear to any audience member’s eye.